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ORCID: 0000-0002-9239-9519

Web of Science ResearcherID: HSB-2759-2023



Rethinking Modern Austrian Art Beyond the Metropolis. London: Routledge, forthcoming later in 2024. Pre-order here [E-Book Open Access]

Co-authored with Jonathan Conlin, Ozan Ozavci and Gokce Erverdi.  De la lumière à l’ombre Lausanne 1923. Lausanne: Antipodes, 2024. Order here




“‘Feminine horror’ or ‘eminent Viennese speciality’? Vienna’s Kunstgewerblerin in Paris 1925”, Art East Central 3:3 (2023), 13–36.


“Eine andere Moderne? Neue Frauen am Land in the 1930er Jahren“, Zeitgeschichte 50:1 (2023), 43–72.


“Unsettling Heimat and the Touristic Ideal: Tropes of the Uncanny in Lois Hechenblaikner's Anti-Heimat Photography”, Austrian Studies 29 (2021), 121-43.

“A New Austrian Regionalism: Alfons Walde and Austrian Identity in Painting after 1918” Austrian History Yearbook (2021), 1–26.  


“Bolshevik Jews, Aryan Vienna? Popular Antisemitism in Der Kikeriki, 1918-1933”, The Leo Baeck Institute Year Book (2018), 157-178.


“Gender(ed) Revolution? Masculinities and Femininities in Irena Blühová’s work”, immediations 3:4 (2015).


"From the Alps to the Metropolis: The Faces of interwar Austrian Expressionism", in Austrian Identity and Modernity: Culture and Politics in the 20th Century. Edited by Elana Shapira. London: Bloomsbury, forthcoming in 2025.


“‘Land und Leute’ in the transnational space: Recontextualizing Heimatphotographie in Central Europe”, in East Central European Art Histories and Austria. Imperial Pasts – Neoliberal Presences – Decolonial Futures. Edited by Julia Allerstorfer, Karolina Majewska-Güde and Monika Leisch-Kiesl. Bielefeld: transcript, 2024, 187–210.

“Shadow Sides of Modernism: Poldi Wojtek’s Designs for the Salzburg Festival and Austria’s Conservative Modernity”, in Interwar Salzburg. Austrian Culture Beyond Vienna, edited by Robert Dassanowsky and Katherine Arens. London: Bloomsbury, 2024, 259–277.


„Social Realisms, New Aesthetics: Women Photographers’ Engaged Photography in Interwar Central Europe“, in Was Socialist Realism Global? Modernism, Soc-modernism, Socially Engaged Figuration, edited by Magda Lipska and Piotr Slodkowski. Warsaw: Museum of Modern Art 2024, 85–102. 


“Diplomacy, Entertainment, Souvenir? Guignol à Lausanne (1922) and the Lausanne Conference in Caricature”, in They All Made Peace – What is Peace? The 1923 Treaty of Lausanne and the New Imperial Order, edited by Jonathan Conlin and Ozan Ozavci.London: Ginko Library, 2023, 372–392.


“The Birth of Painting from the Spirit of the Gingerbread. Anna Lesznai's Hungarian Exotic in 1920s Vienna“, in Erasures and Eradications in Modern Viennese Art, Architecture and Design, edited by Megan Brandow-Faller and Laura Morowitz. New York: Routledge, 2022, 129–142.


“Beyond the Provincial: Entanglements of Regional Modernism in Interwar Central Europe”, in Periodization in the Art Historiographies of Central and Eastern Europe, edited by Shona Kallestrupp et al. London: Routledge, 2022, 214–230.


“Crossing Borders and Period Boundaries in Central European Art: The Work of Anna Lesznai (ca. 1910-1939)”, in Rethinking Period Boundaries: New Approaches to Continuity and Discontinuity in Modern European History and Culture, edited by Lucian George and Jade McGlynn. Berlin: De Gruyter, 2022, 119–148. Open Access. 

"Frida Kahlo", in Women Who Changed the World. Their Lives, Challenges, and Accomplishments through History. Edited by Candice Goucher. Santa Barbara, CA: ABC-Clio, 2022.

"Käthe Kollwitz", Women Who Changed the World. Their Lives, Challenges, and Accomplishments through History. Edited by Candice Goucher. Santa Barbara, CA: ABC-Clio, 2022.


"Simple Entertainment? Die Muskete and ‘Weak’ Antisemitism in Interwar Vienna", in Visual Antisemitism in Central Europe, edited by Eva Janáčová and Jakub Hauser. Oldenbourg: DeGruyter, 2021, 123–144. 


"Pouhá zábava? Die Muskete a „umírněný“ antisemitismus v meziválečné Vídni", in Obrazy nenávisti. Vizuální projevy antisemitismu ve střední Evropě, edited by Eva Janáčová and Jakub Hauser (Prague: Artefactum, 2021), 117–136. 


“‘A School for Becoming Human‘: The Socialist Humanism of Irena Blühová’s Bauhaus Photographs”, in Bauhaus Bodies. Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School, edited by Elizabeth Otto and Patrick Rössler. New York: Bloomsbury Academic, 2019, 287­–310. 

“Irena Blühová”, in Elizabeth Otto and Patrick Rössler, Bauhaus Women: A Global Perspective. London: Palazzo Publishing, 2019, 172-177.

“Judit Kárász”, in Elizabeth Otto and Patrick Rössler, Bauhaus Women: A Global Perspective. London: Palazzo Publishing, 2019, 178-179.




"Artwork Of the Month, October 2023: The ABC of Women by Lisl Weil (1933)", CRAACE Blog


“Frauennetzwerke der Avantgarde“, Fotogeschichte 169:43 (2023), 72–78. 

"Artwork Of The Month, April 2023: Mánes Streamlining The Caricature Exhibition By Adolf Hoffmeister (1934)“, CRAACE Blog



 "Artwork of the Month, October 2022: Cover of Moderne Welt by Carry Hauser (1934)," CRAACE Blog 

"Artwork of the Month, May 2022: The Earth Sings (1933) by Karel Plicka," CRAACE Blog, May, 2022



 "Artwork of the Month, December 2021: Židovská Street III (1935–36) by Imrich Weiner-Kráľ," CRAACE Blog, December 2021. 

Artwork of the Month, July 2021: Logo of The Salzburg Festival By Poldi Wojtek (1928),” CRAACE Blog, July 2021. 


Artwork Of The Month, February 2021: Experiment With Two Negatives At The Bauhaus By Irena Blühová (1932),” CRAACE Blog, February 2021. 


 “Eternal And Blissfully Unaware: Unser Land Mit Unsern Augen (1949) And Austrian Cultural Amnesia After 1945,” CRAACE Blog, October 2020. 

Artwork Of The Month, September 2020: This Is What It Looks Like, My Child, This World By Friedl Dicker-Brandeis (C. 1933),” CRAACE Blog, September 2020. 

Artwork Of The Month, April 2020: Columbus In Der Slovakei By Leopold Wolfgang Rochowanski (1936),” CRAACE Blog, April 2020. 


“Bauhaus Ireny Blühové”, Art + Antiques, September 2019, 44-51.

Artwork Of The Month, November 2019: Slovak Lourdes By Anna Lesznai (1924),” CRAACE Blog, November 2019. 

Herbert Ploberger: At The Interface Between Fine And Applied Art,” CRAACE Blog, October 2019. 

Artwork Of The Month, May 2019: The Berghaus On The Hahnenkamm By Clemens Holzmeister (1929-1930),” Craace Blog, May 2019. 

Artwork Of The Month: The Mother By Rudolf Koppitz (1925),” CRAACE Blog, January 2019. 



"On the values of positioning women artists against the extraordinary – Věra Jičínská“, Centre of modern art & theory blog, September 2023. 


"Proč nepátrat po „výjimečných“ umělkyních“Art + Antiques, July 2023.


"Whose modernity is it? A Brno exhibition that highlights the paradox of the interwar ‘civilised’ woman", CRAACE Blog, December 2021. Link here

"Čí je to modernita? Paradox meziválečné 'Civilizované Ženy'”, Art + Antiques, November 2021.

“Women Of the Viennese Workshops: Exhibition Review,” CRAACE Blog, June 2021. Link here

“Jak kurátorovat českou avantgardu”, Art + Antiques, February 2020.

“Facing An Uncomfortable Past: Restitution And The Rehang Of The Lentos Kunstmuseum In Linz,” CRAACE Blog, February 2020. Link here


“The Art Of Subcarpathian Rus 1919-1938 – Czechoslovak Footprint: Exhibition Review,” CRAACE Blog, December 2019. Link here


“Oskar Kokoschka: Expressionist, Migrant, European,” CRAACE Blog, July 2019. Link here


“Rupture And Continuity: The Fate Of The Habsburg Inheritance After 1918,” CRAACE Blog, May 2019. Link here


“Have No Fear Of Modernism! Exhibition Review,” CRAACE Blog, January 2019. Link here


“Klimt/Schiele: Drawings From The Albertina Museum,” CRAACE Blog, December 2018. Link here


“Esther Levinger: Constructivism in Central Europe”, Journal of East Central European Studies /  
Zeitschrift für Ostmitteleuropa-Forschung, Issue 1, Volume 73 (2024).

"Alexandra Chiriac. Performing Modernism. A Jewish Avant-Garde in Bucharest“, Umění, LXX 2 (2023),


"Anna Pravdová – Annie Le Brun – Annabelle Görgen-Lammers, The Dreaming Rebel: Toyen 1902–1980. – Karla Huebner, Magnetic Woman. Toyen and the Surrealist Erotic“, Umění, LXX 1 (2022),

"Beyond the Bauhaus. A Review of Beate Störtkuhl and Rafał Makała, eds, Not Just Bauhaus. Networks of Modernity in Central Europe, Oldenbourg: De Gruyter, 2020.", Art East Central Art East Central, Vol. 2 (September 2022), pp. 169—174, .


“Beyond The Single-Artist Study: Bohumil Kubišta And New Ways Of Monographic Research In The Czech Lands: Book Review,” CRAACE Blog, April 2021. Link here


“Women and the Wiener Werkstätte. A Review of: Die Frauen der Wiener Werkstätte / Women Artists of the Wiener Werkstätte, edited by Christoph Thun-Hohenstein, Anne-Katrin Rossberg, and Elisabeth Schmuttermeier”, Art East Central, Vol. 1 (February 2021), pp. 141—145.


“Moving times, moving spaces. Conference report on ‘Questions of Periodisation in the Art Historiographies of Central and Eastern Europe’”, Journal of Art Historiography, No. 22 (June 2020).

“Neighbours: An Austrian-Czech History Book: Book Review,” CRAACE Blog, June 2020. Link here


“Košice Modernism: Catalogue Review,” CRAACE Blog, December 2018. Link here

"Der Tschechoslowakische Werkbund und der Werkbund der Deutschen in der Tschechoslowakei. Eine kritische Anthologie, edited by Alena Janatková," (Berlin, 2018), Zeitschrift für Ostmitteleuropa-Forschung, 68:4(2019).


"Hörfunk und Hörfunkpolitik in der Tschechoslowakei und im Protektorat Böhmen und Mähren Berlin, edited by Peter Becher and Anne Knechtel (2017)," Bohemia, 58:1 (2018). 

"Milena Bartlová, Unsere "nationale" Kunst. Studien zur Geschichte der Kunstgeschichte, Stuttgart: Thorbecke 2016," sehepunkte 18:6 (2018).


Iain Boyd Whyte, “Otto Wagners “Moderne” jenseits der Doppelmonarchie”, in Otto Wagner, edited by Andreas Nierhaus and Eva-Maria Orosz. Vienna: Residenz Verlag 2018, 36-43.

Leslie Topp, „Otto Wagner und die Junge Generation. Inspiration, Rückzug, Kritik”, in Otto Wagner, edited by Andreas Nierhaus and Eva-Maria Orosz. Vienna: Residenz Verlag 2018, 118-125.

Eve Blau, “Wagner und das Rote Wien”, in Otto Wagner, edited by Andreas Nierhaus and Eva-Maria Orosz. Vienna: Residenz Verlag 2018, 152-192.

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